March 25, 2006
Emru Townsend interviews British animator Phil Mulloy, who was recently in Montreal to host a retrospective of his work at the Cinémathèque québécoise. Phil Mulloy is a prolific animator who has created over twenty films in the last sixteen years, and in many of his works, the landscape and characters are stark and grotesque: rendered in black paint and ink, his characters are mostly in silhouette, with skeletal bodies, large, bony hands, and distended mouths with jutting teeth. Animation is accomplished by manipulating cutouts of his painted and drawn images. And while his plots have varied, they often feature themes of sex, persecution, violence, the body, and religion.
Emru Townsend, Phil Mulloy, and Marco de Blois.
Cowboys: High Noon (1991; 0:43, 2.0 MB, MPEG-1)
The Sex Life of a Chair (1998; 0:59, 2.7 MB, MPEG-1)
Intolerance I (2000; 0:59, 2.7 MB, MPEG-1)
Intolerance II (2001; 1:00, 2.7 MB, MPEG-1)
The Christies: Mister Yakamoto (2006; 0:27, 2.0 MB, MPEG-1)
Credits: Photo by Tamu Townsend; podcast introduction audio from Intolerance I