June 28, 2007
The first event of the Platform International Animation Festival took place on Monday night with Competition 1. Irene Kotlarz, Director of Programming (pictured) got things rolling and welcomed and eager crowd that had already been well-taken care of by registration and other volunteer staff. If there were any fires being put out in the background, attendees sure didn't know about it. The festival has been a well-oiled machine so far.

The first short to screen was Torill Kove's The Danish Poet, this year's Oscar winner. Luis Cook's The Pearce Sisters was a standout Aardman short and one of the newer shorts in the selection. Recently acclaimed shorts such as Run Wrake's Rabbit and Theodore Ushev's Tower Bawher were shown and I became newly acquainted with Herzog and the Monsters.

The opening night party offered a chance for people to reconnect and make some new contacts in a great setting and others snuck off later in the evening for Comedy vs. Art, featuring an animation face-off between Bill Plympton and Joanna Priestley.

Tuesday was the first full day of the festival and I started off the day at the Meet the Animators panel moderated by Ramin Zahed of Animation Magazine. The thread that ran through all of the discussions dealt with passion for animating. Marc Bertrand of the National Film Board said he would rather people make films for themselves with themes they care about rather than impressing a producer. Motomichi Nakamura suggested that animators put work in their portfolio that they really enjoyed and not put in the rest.

The highlight of the day was the feature Tekkon Kinkreet, with its lush visuals and bold style. Director Michael Arias (pictured) was in the house and answered an extended Q&A about the making of the film.

After Competition 3, I could barely survive Animation From Hell, which screened Shut Eye Hotel, Bill Plympton's new short. So many activities can get a bit taxing, and I had to get ready for another day replete with great activities.

(Photos by official festival photographer CJ Beaman.)

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