May 20, 2008


Waltz with Bashir looks like one of those films that could be simultaneously fascinating and trying. Fascinating because the Israeli autobiographical feature focuses on writer/director Ari Folman's experiences as a 19-year-old soldier in Lebanon during the early 1980s. Trying because feature-length Flash-animated films can, depending on how they're made, make your eyes bleed.

The key, of course, is the phrase "depending on how they're made." Watching the YouTube clip from the film, Waltz with Bashir might be quite watchable, and I'm always fascinated by documentaries that look at wartime through the lens of individuals rather than armies.

I am a bit irked by publicist Richard Lormand's claim in Israel21c that Waltz with Bashir is "basically the first animated documentary ever." Clearly, he hasn't read our first PDF issue, which focused on animated documentaries. And what about the more recent Persepolis, which was also autobiographical and the darling of independent animated cinema last year? It seems to me that everyone involved—including the article's writer—was so excited at the prospect of this film being a "first" that no one bothered to question the assertion. And besides, who bothers to fact-check articles on animation, anyway? Certainly not mainstream journalists.

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Comments:
what's missing in my quote is the key words "feature-length" and "entirely" ... unless i missed something in your article, you're referring to only shorts and partially-animated sequences in documentaries. WALTZ WITH BASHIR is a feature-length, entirely animated documentary.


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