August 8, 2008
Normally around this time I'd be gearing up for the annual SIGGRAPH conference; in fact, if things had gone as planned I'd already be in Los Angeles right now. But a number of things about SIGGRAPH and the way we're covering it are different, and I figured I should pass this information on to you.

A little over a year ago, I was selected to be the chair of SIGGRAPH's Computer Animation Festival. My first order of business was to restructure the festival, which was then divided between the theatrically screened Electronic Theater and the constantly running Animation Theater. The idea was to provide a new structure that kept the spirit of SIGGRAPH while more closely resembling a traditional animation festival.

Working out the overall framework and ideology was about as far as I got before the precursors to my leukemia started to hit in November. I'd started working out a few details here and there about the jurying process with my director, but that was about it.

Back during the initial meetings, I was concerned about how Frames Per Second was going to cover SIGGRAPH. After all, we'd been covering the conference since our days as a print magazine (I believe our first report was in 1996), but there was the issue of conflict of interest. I ended up sitting down with the people responsible for SIGGRAPH's media relations, and we worked out a solution that we're going to follow even though I ultimately participated far less in the process than intended.

This year our SIGGRAPH coverage will be handled by Janeann Dill (who wrote up a SIGGRAPH festival report with me back in 2005), but utterly independent of me. That is, nothing she writes about is discussed with me beforehand, and I won't be editing any of her blog posts, even for things like typos. (Any editing will be handled by Kino Kid.) In short, no editorial intereference from the guy who was on the inside. Janeann's posts will be as fresh to me as they are to you, and I anticipate enjoying them just as much as any other reader, as well.

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