November 19, 2008
Joseph Chen, curator of the Waterloo Festival for Animated Cinema, likes to highlight the fact that animated films are neither tied to a specific genre or animation technique, nor are they thematically hide-bound – the only thing linking them is that they are animated and generally do not include much live-action (although some do mix it up). The “Midnight Madness” screenings are, in Joseph’s words “all about edge” – both story-wise and in the techniques used to “paint” the story.

This year’s two midnight screenings were We Are the Strange (by MDOTSTRANGE, a filmmaker based in San Jose) and From Inside (by John Bergin, a Missouri-based artist and feature filmmaker).


We Are The Strange is definitely edgy - an assault on the senses for which I wasn't really prepared, but which had me thinking for some time afterwards. It was a clever composite of 8-bit, pixelated gaming imagery, cut with stop-motion animation, a couple of live-action appearances, and anime-style animation. The soundtrack was cranked to 11, and, frankly, you're not meant to be comfortable with it. But I was definitely engaged - and it was as visually complex and interesting, as it was disturbing. Not for everybody, but I really liked it.


From Inside was the Saturday night midnight screening. John Bergin, the writer, director and animator, warned us before the movie started that the story was as bleak as the weather outside (it was windy, bitterly cold and snowing). What followed was a visually stunning, dark allegory. How do you find hope in a world going to hell - what can you do to stop it, and should children be brought into this chaos? Or are children the only redemption we have? I loved this movie - it combined 3D animation along with awesome 2D 1930s-inspired, dark illustration. Again, not for everyone, but a truly beautiful piece of artwork, and a story that ends on a more hopeful note than you're lead to expect.

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