May 15, 2008
Here's another reason why I love animation: anytime you think you've seen it all, someone goes and proves you wrong. Blu's Muto sits on the fringe of several techniques—stop-mo, painted animation, pixillation—while throwing out obsessive control mechanisms like, say, locking down the camera. And like the street art that it's built from, Muto incorporates elements of its surroundings, even acknowledging "interfering" passers-by in the audio. Have a look.

[Thanks, Penny Arcade.]

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